Marie Foley

Image of Marie Foley

 

Marie Foley is a sculptor. She was born in Kanturk and studied Fine Art at the Crawford College of Art, Cork, Goldsmiths College, London and Cardiff College of Art and was awarded an MA in 1987.

Her work has been exhibited in solo and group exhibitions in Ireland, England, Wales, France, Spain, Germany, Italy, Holland, Hungary, Poland, Finland, Canada, USA and Japan. She was the first Irish Artist to have a solo Exhibition in the Irish Museum of Modern Art, Dublin.

Public commissions include Kilkenny Castle, The Office of Public Works at 51-52, St. Stephen’s Green, Dublin, a sculpture for National Universities of Ireland Presentation to President Mary Robinson, Cothú Awards, Dun Laoghaire-Rathdrum County Council and Wilton Library, Cork.

She has received various Arts Council awards. Other awards include an International Ceramic Award, a Canada Council award and The New Horizons Award from the Calouste Gulbenkian Foundation. She became a member of Aosdána in 1996.

Marie Foley’s sculpture is composed of elements which are carved in yew, bog oak, ash, sycamore…  elements which are modeled in porcelain, and sometimes additional hand-worked or salvaged elements in metal, stone etc. Her artistic practice is inspired by a profound interest in nature and the deeper universal significance of all. Her language is one of symbolic form.

The walls of Marie’s studio contain many clues to the origins of her art. There are photographs of trees, dry stone walls and the karst typography of the Burren, the mud and wood temples of Djenne and Mopti in Mali, aerial views of African villages, objects in the Pitt Rivers museum and other museums she has visited, Native American Shields and rattles, wooden fishing traps from Finland, Eskimo fishing spears. Every surface is covered with a fascinating mix of hand forged tools, crow skeletons, mechanical components, vintage kitchen implements, old calipers, weighing scales and other measuring tools, milk bottles containing porcelain elements, rust worn pikes and forks, the whitened jaw bones of a cow with rows of perfect teeth, stones with map-like lichen markings, fossil stones, metal locks from India, dried gourds, fish skeletons, a dolphin skull, rusty augurs, a saint Brigid’s cross…. alongside endless work in progress.  

Her father John Foley was a drainage contractor in the sixties and seventies and reclaimed many fields in various town lands around Kanturk and beyond. She grew up with a fascination for old maps documenting field patterns and the wonderful sounding and meaning of their names: Lisnashearshan, Knocknacolon, Lisnaboy, Gorteenfinnoge, Glounicomane…. When he died in 1988 she kept his worn land drainage maps with their attending Land Project information knowing she would eventually draw them into her work. For the Kanturk Arts festival Marie will exhibit some of her field map drawings along with some of her sculpture.

 

 

Marie Foley, by Hilary O’Kelly

(Courtesy of the Fenton Gallery, from Representing Art in Ireland, 2008)

 

The mysterious and the familiar are inextricably mixed in the work of Marie Foley. Combining found objects with hand-made forms, she creates highly individual work distilling universal themes. Her combination of wood and weighty implements with fragile porcelain and feathers evokes the relationship between body and spirit.

Her work is richly invested with spirituality and brings form to ideas. It is the power of nature and the quiet world of poetry, particularly Rilke, which are perhaps key to understanding. While the viewer responds immediately to the physical beauty and force of the work, it is the artist’s formal language as much as her titles that lead the viewer on.

Born in Co. Cork, Marie Foley’s creativity was nurtured through a rural Irish childhood followed by studying sculpture at the Crawford, Goldsmiths and Cardiff. She moved to Kilkenny in 1988 and more recently divides her time between Kilkenny and Cork. In 1996 she was elected to Aosdána.

Wood is Marie Foley’s primary sculptural material and remains her first love. She is passionate about it, regarding trees as the most important species on earth and essential to our survival. Most Irish native woods have been used in her work, with the wood of the yew having a special place. ‘It is the tree of life – a sacred tree with a unique spiritual significance’. Her materials are challenging but vital, including slate, stone, metal, feathers, and, unusually for a sculptor, porcelain, which she cherishes for its translucence and the way it comes to life with light.

The piece Tool From a Far Field may immediately suggest an archaeological object or farming implement. However, like all her objects it is wholly imagined, an impossibility, full of imagery and imaginative pathways. Coarse labour and refined precision are contrasted in the yew handles and porcelain arrow. In this piece the porcelain arrowhead, marked with a universal cross and held with pliers, may evoke, for one viewer, the spear piercing the side of Christ and the pliers removing His nails. The yew handles might suggest everlasting life and the whole piece speak of death and resurrection. To another, the piece may suggest the power of the ordinary to pierce human experience, to cut through nothingness to discover that prized unknown space. The artist thrive to create space for the viewer to engage through their own experience but suggests, through juxtaposing the mysterious and the everyday, the power of the ordinary to bring us to extraordinary places.

Sculpture by Marie Foley

A muse on Marie Foley, by Paula Meehan

 

What she makes has the power of sacred object: we can supply the ritual and the ritualist - shaman or priest/ess. Or be secular citizens and admire the craft mastery/ms.tery in her use of tool and material. We can read what she makes as if it were a great poem - where the poem sustains 7 possible readings including the polar opposite of our first reading.

 

Her work has both the strength and vulnerability of human breath. She can make porcelain feel as thin as skin, as thick as skin. Two words I would use about her and the work? Integrity. Compassion.

 

Her naturalist's eye is precise and disciplined; it draws the processes of nature into her art, so the object is familiar. Suddenly you blink and it functions as 'familiar'. You're in the otherworld. The object then obeys

different laws. Spirit laws.

I imagine if I had to make the whole universe up from scratch that I could reconstruct it from a piece of Marie Foley's art - not just the weird and oft dysfunctional culture of this island but aeons of tool use and song. She is an anthropologist of the sublime.

 

Were I asked to nominate something human-made to send, say, on a space mission to find other intelligent beings in the cosmos, I'd choose something of hers. It would certainly show 'them' the best of what we can be.

 

Paula Meehan, Dublin 2002

 

Sculputre by Marie Foley

 

Solo Exhibitions

1988: Limerick City Gallery of Art

1989: Project Arts Centre, Dublin

1989: Limerick City Gallery of Art

1990: Triskel Arts Centre, Cork

1990: Kilkenny Arts Festival. Butler Gallery, Kilkenny

1990: Galway Arts Centre, Galway

1991: Fenderesky Gallery, Belfast

1991: Galleria Budapest, Budapest, Hungary

1993: Irish Museum of Modern Art, Dublin

1993: Ottawa School of Art Gallery, Canada

1995: TristAnns Gallery, Dundalk

1995: Limerick City Gallery of Art

1997: Limerick City Gallery of Art

1997: Model Art Centre, Sligo

2002: Kilkenny Arts Festival

2003: Fenton Gallery Cork

2004: Fenderesky Gallery, Belfast

Group Exhibitions

1982: International Ceramic Exhibition, Cork

1983: New Irish Ceramics, Bank of Ireland, Dublin

1983: New Irish Ceramics, Ulster Museum, Belfast

1984: Butler Gallery, Kilkenny

1985: Cork Art Now, Crawford Municipal Art Gallery, Cork

1985: Cork Art Now, Heineken Gallery, Amsterdam, Holland

1986: Oxford/Ireland, St Johns College, Oxford, England

1987: Post Graduate Exhibition, Goldsmiths College, London

1986: Clay for Today, Smiths Gallery, London, England

1986: Ob Art, Paris, France

1986: European Exhibition, Tokyo/Osaka, Japan

1987: New Ceramics, Fenderesky Gallery, Belfast

1987: Irish Exhibition of Living Art, Dublin

1987: Sculpture and Drawing, Crawford Art Gallery, Cork

1987: Critics Choice, Hugh Lane Gallery of Modern Art, Dublin

1987: MA Degree Exhibition, Art gallery, Cardiff College of Art

1988: International Ceramics Exhibition, Poorvoo, Finland

1988: Sculpture Open, RHA Gallagher Gallery, Dublin

1988: Cork Sculpture, Triskel Arts Centre, Cork

1988: New Ceramics, HQ Gallery, Dublin

1988: EV+A, City Art Gallery, Limerick

1989: 46th Int. Exhibition of Ceramic Art, Faenza, Italy

1989: Open Ceramics, Harmony Hill Arts Centre, Lisburn

1990: Eigse Carlow, Carlow

1990: RHA Banquet Exhibition, Gallagher Gallery, Dublin

1990: Contemporary Irish Art, Austin Desmond Fine Art, London

1991: Parable Island, Blue Coat Gallery, Liverpool, England

1991: In a State, Kilmainham Gaol, Dublin

1991: Configura,  Erfurt, Germany

1991: 47th  Int. Exhibition of Ceramic Art, Faenza, Italy

1991: Living Landscape, West Cork Arts Centre, Skibbereen

1991: Works on Paper, Fenderesky Gallery, Belfast

1991: Art Cologne, Cologne, Germany

1991: Siamsa Tire Arts Centre, Tralee

1992: Gateway to Art, Aer Rianta, Dublin

1992: RHA Exhibition, Gallagher Gallery, Dublin

1993: Cork Artists, Cracow, Poland

1993: Relocating History, Belfast and Derry

1993: Euro-Threshold, Contemp. Irish Art Exhibition,  Millstreet

1994: A Kaleidoscopic Pilgrimage, Orchard Gallery, Derry,

          Hugh Lane Municipal Gallery of Modern Art, Dublin

1994: ITA Exhibition, Killarney

1994: Cracow/Cork, Art Hive, Cork

1994: Butler Gallery, Kilkenny

1994: Art Cologne, Cologne, Germany                 

1995: A Kaleidoscopic Pilgrimage, Musee d'Art Moderne,Toulouse; France; La Rectoria, Barcelona;  La Caixa, Lleida; Spain  

1995: EV+A, City Art Gallery, Limerick

1995: Dawn, TristAnn's Gallery, Dundalk

1995: Aura, Lavitt Gallery, Cork

1995-96: Bridges and Crossroads, Touring Exhibition

1996: Pro'em, Rubicon Gallery, Dublin

1996: Women's Art, TristAnn's Gallery, Dundalk

1996: Sculpture in Context, Conrad Hotel, Dublin

1997: Gateway to Art, Aer Rianta, Dublin

1997: Iontas, RHA Gallery, Dublin; Ormeau Baths Gallery, Belfast;

           West Cork Art Centre, Skibbereen

1998: 25 Years of Arts Week, Butler Gallery, Kilkenny

1998: Peace Offerings, Tyrone Guthrie Centre, Annaghmakerrig

1998: EV+A, City Gallery, Limerick (Curator: Paul O Rielly )

1998: RHA Banquet Exhibition,Gallagher Gallery, Dublin. Invited artist.

1999: Wood, Art Gallery of Newfoundland & Labrador, Canada

1999: Smithsonian Institution Traveling Exhibitions, New York

1999: Snapshot, Contemporary Museum, Baltimore, Maryland, U.S.A.

1999: The Lavit Gallery, Tony O Malley Selection Exhibition

1999: Inscriptions on Stones, Fenderesky Gallery, Belfast

2000: Exhibition for Chernobyl, The Granary, Waterford

2000: Wood, Limerick city gallery, Limerick

2000: An Artist’s Century, Gallagher Gallery, Dublin

2000: An Artist’s Century, Ormeau Baths Gallery, Belfast

2000: Art and Christianity, West Cork Art centre, Skibbereen

2001: RHA Exhibition, RHA Gallagher Gallery, Dublin. Invited artist

2001: The Common Thread, Tígh Filí Gallery, Cork   

2002: The Common Thread, Garter Lane Gallery, Waterford  

2002: Acquisitions 1991-2000, Butler Gallery, Kilkenny

2002: Hermoine Arts Week, Alexandria College, Dublin

2002: Line Exploration, The Lavit Gallery, Cork

2002: Kilkenny/Tipperary, The Fenton Gallery, Cork

2002: White Paintings & 5 Sculptors, Fenderesky Gallery, Belfast

2002: The 4 Seasons of Art, Aubais, France

2002: Sculpture in Context, Botanic Gardens, Dublin. Invited artist

2002: Christmas exhibition, Lavit Gallery, Cork

2003: Postcards 2003, West Cork Art Centre             

2003: CASE, Lavit Gallery, Cork

2003: Sculpture in Context, Botanic Gardens, Dublin

2003: Sligo Municipal Art Collection, RHA Gallagher Gallery, Dublin

2004: Art for Amnesty, Irish Museum of Modern Art, Dublin

2004: Corpus, Limerick City Gallery

2004: Kilkenny Arts Festival, Maya Homburger & Barry Guy, Griffinstown

2005: RHA 175th Annual Exhibition, Dublin. Invited Artist.

2005: Fenton Gallery Exhibition Cork 2005

2005-6: Passing Through, Glucksman Gallery, University College Cork

2006: Limerick City Gallery

2007: RHA 177 exhibition

2007: Case, Lavit Gallery, Cork

 

 

Awards and Scholarships

1982: Major Award; International Exhibition of Ceramic Art

1985: Major Arts Council Award

1986: Major Arts Council Award

1988: Bursary: Sculpture Open'88 Exhibition

1991: 3 Arts Council Travel Awards  (Egypt, Italy, Germany)

1991: Ambassadors Prize (Short listed)

1991: Department of Foreign Affairs Award

1993: Canada Council Award

1993: UNESCO Prize for the Promotion of the Arts (Short listed)

1993: Department of Foreign Affairs Award

1994: Arts Council Travel Award (America)

1995: New Horizons Award, Calouste Gulbenkian Foundation

1997: Arts Council Travel Award (India and Nepal)

1998: Arts Council Travel Award (America)

2004: Arts Council Travel award (India)

 

Commissions

1991: Dermot Deamond, NCB Stockbrokers

1991: Self Portrait, National Self Portrait Collection

1992: Ambassadors accredited to Ireland

1992: Swiss Ambassador to Ireland

1995: Cothú Awards                                                

1995: National University of Ireland, Presentation to the President of Ireland Mary Robinson

1999: Stirring the Depths, Kilkenny Castle, OPW Commission

2000: Six Sycamores, The Link Building, OPW, 51 & 52 St. Stephen’s Green

                            Collaboration with the Poet Paula Meehan.

2002: Stirring the Depths; Three Arrow-Loop Spoons, Kilkenny Castle

2002: Dun Laoghaire-Rathdowm County Council

2007: Tools to Separate Heaven and Earth, Wilton Library, Cork

 

Collections

Arts Council of Ireland

Irish Museum of Modern Art

Crawford Municipal Art Gallery

Limerick City Gallery of Art

Butler Gallery, Kilkenny

National Self Portrait

Crafts Council of Ireland

Scoil Mhic Shuibhne, Cork

Office of Public Works

Solomon Gallery, London

Ulster Museum, Belfast

University College Cork

Sligo Municipal Art Collection

Arás an Uachtarán

Allied Irish Banks

Kilkenny Castle

Cork County Council

Private Collections in Ireland, USA, Canada, England, Switzerland, France, Germany, Japan, Australia

 

 

Selected Publications

Contemporary Irish Art (1982) Roderick Knowles

Cork Art Now (1983) Vera Ryan

Irish Arts Review Yearbook (1988) Sean McCrum

Sculpture, Marie Foley (1989) Aidan Dunne - catalogue essay, Project Art Centre                          

Irish Arts Review Yearbook (1991) Brian P. Kennedy 

In a State (1991) Fintan ÓToole - catalogue essay for exh. in Kilmainham Gaol on National Identity

Inheritance and Transformation ( 1991) John Hutchinson - catalogue essay for the inaugural  exhibition at the Irish Museum of Modern Art    

Marie Foley (1993) Brian Kennedy - catalogue essay: exhibition The Irish Museum of Modern Art

Relocating History (1993) Fiona Barbeb - catalogue essay

A Kaleidoscopic Pilgrimage (1994) Bernard Louglin

National collection drawing (1996) Limerick city gallery

Marie Foley (1997) - poems: Kerry Hardie & Paul Durcan. Music: Barry Guy

Wood, creative exchange between Ireland & Canada (1999) Sean McCrum & Charlotte Jones

Kingdom of Heaven  (1999) Paul O Rielly

Art and Christianity  (2000) Vera Ryan

AIB art 2 (2002) Frances Ruane

Six Sycamores (2004) Paula Meehan poems  Marie Foley sculpture & drawings

Art for Amnesty  (2004) Ciaran Benson

Limerick City Gallery of Art  (2004) by the Poet Ryan An educational guide to collection

Fresh  (2006) Pippa Little, Limerick City Gallery

 

Residences

1987: National Welsh Museum, Cardiff

1988-1989: Butler Gallery, Kilkenny, Ireland

1991: Irish Museum of Modern Art, Dublin

1993: Ottawa School of Art, Kaleidoscope Residencies: Annaghmakerrig, Ireland; Farrera, Spain ;Les Arques

1997: Sanskriti Kendra New Delhi, India

1998: Kokar, Aland, Finland

 

Visiting Lectureships

National College of Art and Design

Crawford College of Art and Design

Limerick College of Art

Irish Museum of Modern Art

National Gallery of Ireland

Ottawa School of Art

Drawing tutor, Grennan College Thomastown

Galway/Mayo institute of technology

University of Dublin Trinity College

University College Dublin


Carrickmourne, Thomastown, Co. Kilkenny. Tel: 056-7724905. Email: iubhar@eircom.net