Marie Foley is a sculptor. She was born in Kanturk and studied Fine Art at the Crawford College of Art, Cork, Goldsmiths College, London and Cardiff College of Art and was awarded an MA in 1987. Her work has been exhibited in solo and group exhibitions in Ireland, England, Wales, France, Spain, Germany, Italy, Holland, Hungary, Poland, Finland, Canada, USA and Japan. She was the first Irish Artist to have a solo Exhibition in the Irish Museum of Modern Art, Dublin. Public commissions include Kilkenny Castle, The Office of Public Works at 51-52, St. Stephen’s Green, Dublin, a sculpture for National Universities of Ireland Presentation to President Mary Robinson, Cothú Awards, Dun Laoghaire-Rathdrum County Council and Wilton Library, Cork. She has received various Arts Council awards. Other awards include an International Ceramic Award, a Canada Council award and The New Horizons Award from the Calouste Gulbenkian Foundation. She became a member of Aosdána in 1996. Marie Foley’s sculpture is composed of elements which are carved in yew, bog oak, ash, sycamore… elements which are modeled in porcelain, and sometimes additional hand-worked or salvaged elements in metal, stone etc. Her artistic practice is inspired by a profound interest in nature and the deeper universal significance of all. Her language is one of symbolic form. The walls of Marie’s studio contain many clues to the origins of her art. There are photographs of trees, dry stone walls and the karst typography of the Burren, the mud and wood temples of Djenne and Mopti in Mali, aerial views of African villages, objects in the Pitt Rivers museum and other museums she has visited, Native American Shields and rattles, wooden fishing traps from Finland, Eskimo fishing spears. Every surface is covered with a fascinating mix of hand forged tools, crow skeletons, mechanical components, vintage kitchen implements, old calipers, weighing scales and other measuring tools, milk bottles containing porcelain elements, rust worn pikes and forks, the whitened jaw bones of a cow with rows of perfect teeth, stones with map-like lichen markings, fossil stones, metal locks from India, dried gourds, fish skeletons, a dolphin skull, rusty augurs, a saint Brigid’s cross…. alongside endless work in progress. Her father John Foley was a drainage contractor in the sixties and seventies and reclaimed many fields in various town lands around Kanturk and beyond. She grew up with a fascination for old maps documenting field patterns and the wonderful sounding and meaning of their names: Lisnashearshan, Knocknacolon, Lisnaboy, Gorteenfinnoge, Glounicomane…. When he died in 1988 she kept his worn land drainage maps with their attending Land Project information knowing she would eventually draw them into her work. For the Kanturk Arts festival Marie will exhibit some of her field map drawings along with some of her sculpture. |
Marie Foley, by Hilary O’Kelly (Courtesy of the Fenton Gallery, from Representing Art in Ireland, 2008)
The mysterious and the familiar are inextricably mixed in the work of Marie Foley. Combining found objects with hand-made forms, she creates highly individual work distilling universal themes. Her combination of wood and weighty implements with fragile porcelain and feathers evokes the relationship between body and spirit. Her work is richly invested with spirituality and brings form to ideas. It is the power of nature and the quiet world of poetry, particularly Rilke, which are perhaps key to understanding. While the viewer responds immediately to the physical beauty and force of the work, it is the artist’s formal language as much as her titles that lead the viewer on. Born in Co. Cork, Marie Foley’s creativity was nurtured through a rural Irish childhood followed by studying sculpture at the Crawford, Goldsmiths and Cardiff. She moved to Kilkenny in 1988 and more recently divides her time between Kilkenny and Cork. In 1996 she was elected to Aosdána. Wood is Marie Foley’s primary sculptural material and remains her first love. She is passionate about it, regarding trees as the most important species on earth and essential to our survival. Most Irish native woods have been used in her work, with the wood of the yew having a special place. ‘It is the tree of life – a sacred tree with a unique spiritual significance’. Her materials are challenging but vital, including slate, stone, metal, feathers, and, unusually for a sculptor, porcelain, which she cherishes for its translucence and the way it comes to life with light. The piece Tool From a Far Field may immediately suggest an archaeological object or farming implement. However, like all her objects it is wholly imagined, an impossibility, full of imagery and imaginative pathways. Coarse labour and refined precision are contrasted in the yew handles and porcelain arrow. In this piece the porcelain arrowhead, marked with a universal cross and held with pliers, may evoke, for one viewer, the spear piercing the side of Christ and the pliers removing His nails. The yew handles might suggest everlasting life and the whole piece speak of death and resurrection. To another, the piece may suggest the power of the ordinary to pierce human experience, to cut through nothingness to discover that prized unknown space. The artist thrive to create space for the viewer to engage through their own experience but suggests, through juxtaposing the mysterious and the everyday, the power of the ordinary to bring us to extraordinary places. |
A muse on Marie Foley, by Paula Meehan
What she makes has the power of sacred object: we can supply the ritual and the ritualist - shaman or priest/ess. Or be secular citizens and admire the craft mastery/ms.tery in her use of tool and material. We can read what she makes as if it were a great poem - where the poem sustains 7 possible readings including the polar opposite of our first reading.
Her work has both the strength and vulnerability of human breath. She can make porcelain feel as thin as skin, as thick as skin. Two words I would use about her and the work? Integrity. Compassion.
Her naturalist's eye is precise and disciplined; it draws the processes of nature into her art, so the object is familiar. Suddenly you blink and it functions as 'familiar'. You're in the otherworld. The object then obeys different laws. Spirit laws. I imagine if I had to make the whole universe up from scratch that I could reconstruct it from a piece of Marie Foley's art - not just the weird and oft dysfunctional culture of this island but aeons of tool use and song. She is an anthropologist of the sublime.
Were I asked to nominate something human-made to send, say, on a space mission to find other intelligent beings in the cosmos, I'd choose something of hers. It would certainly show 'them' the best of what we can be.
Paula Meehan, Dublin 2002 |
Solo Exhibitions |
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1988: Limerick City Gallery of Art 1989: Project Arts Centre, Dublin 1989: Limerick City Gallery of Art 1990: Triskel Arts Centre, Cork 1990: Kilkenny Arts Festival. Butler Gallery, Kilkenny 1990: Galway Arts Centre, Galway 1991: Fenderesky Gallery, Belfast 1991: Galleria Budapest, Budapest, Hungary 1993: Irish Museum of Modern Art, Dublin |
1993: Ottawa School of Art Gallery, Canada 1995: TristAnns Gallery, Dundalk 1995: Limerick City Gallery of Art 1997: Limerick City Gallery of Art 1997: Model Art Centre, Sligo 2002: Kilkenny Arts Festival 2003: Fenton Gallery Cork 2004: Fenderesky Gallery, Belfast |
Group Exhibitions |
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1982: International Ceramic Exhibition, Cork 1983: New Irish Ceramics, Bank of Ireland, Dublin 1983: New Irish Ceramics, Ulster Museum, Belfast 1984: Butler Gallery, Kilkenny 1985: Cork Art Now, Crawford Municipal Art Gallery, Cork 1985: Cork Art Now, Heineken Gallery, Amsterdam, Holland 1986: Oxford/Ireland, St Johns College, Oxford, England 1987: Post Graduate Exhibition, Goldsmiths College, London 1986: Clay for Today, Smiths Gallery, London, England 1986: Ob Art, Paris, France 1986: European Exhibition, Tokyo/Osaka, Japan 1987: New Ceramics, Fenderesky Gallery, Belfast 1987: Irish Exhibition of Living Art, Dublin 1987: Sculpture and Drawing, Crawford Art Gallery, Cork 1987: Critics Choice, Hugh Lane Gallery of Modern Art, Dublin 1987: MA Degree Exhibition, Art gallery, Cardiff College of Art 1988: International Ceramics Exhibition, Poorvoo, Finland 1988: Sculpture Open, RHA Gallagher Gallery, Dublin 1988: Cork Sculpture, Triskel Arts Centre, Cork 1988: New Ceramics, HQ Gallery, Dublin 1988: EV+A, City Art Gallery, Limerick 1989: 46th Int. Exhibition of Ceramic Art, Faenza, Italy 1989: Open Ceramics, Harmony Hill Arts Centre, Lisburn 1990: Eigse Carlow, Carlow 1990: RHA Banquet Exhibition, Gallagher Gallery, Dublin 1990: Contemporary Irish Art, Austin Desmond Fine Art, London 1991: Parable Island, Blue Coat Gallery, Liverpool, England 1991: In a State, Kilmainham Gaol, Dublin 1991: Configura, Erfurt, Germany 1991: 47th Int. Exhibition of Ceramic Art, Faenza, Italy 1991: Living Landscape, West Cork Arts Centre, Skibbereen 1991: Works on Paper, Fenderesky Gallery, Belfast 1991: Art Cologne, Cologne, Germany 1991: Siamsa Tire Arts Centre, Tralee 1992: Gateway to Art, Aer Rianta, Dublin 1992: RHA Exhibition, Gallagher Gallery, Dublin 1993: Cork Artists, Cracow, Poland 1993: Relocating History, Belfast and Derry 1993: Euro-Threshold, Contemp. Irish Art Exhibition, Millstreet 1994: A Kaleidoscopic Pilgrimage, Orchard Gallery, Derry, Hugh Lane Municipal Gallery of Modern Art, Dublin 1994: ITA Exhibition, Killarney 1994: Cracow/Cork, Art Hive, Cork 1994: Butler Gallery, Kilkenny 1994: Art Cologne, Cologne, Germany 1995: A Kaleidoscopic Pilgrimage, Musee d'Art Moderne,Toulouse; France; La Rectoria, Barcelona; La Caixa, Lleida; Spain 1995: EV+A, City Art Gallery, Limerick |
1995: Dawn, TristAnn's Gallery, Dundalk 1995: Aura, Lavitt Gallery, Cork 1995-96: Bridges and Crossroads, Touring Exhibition 1996: Pro'em, Rubicon Gallery, Dublin 1996: Women's Art, TristAnn's Gallery, Dundalk 1996: Sculpture in Context, Conrad Hotel, Dublin 1997: Gateway to Art, Aer Rianta, Dublin 1997: Iontas, RHA Gallery, Dublin; Ormeau Baths Gallery, Belfast; West Cork Art Centre, Skibbereen 1998: 25 Years of Arts Week, Butler Gallery, Kilkenny 1998: Peace Offerings, Tyrone Guthrie Centre, Annaghmakerrig 1998: EV+A, City Gallery, Limerick (Curator: Paul O Rielly ) 1998: RHA Banquet Exhibition,Gallagher Gallery, Dublin. Invited artist. 1999: Wood, Art Gallery of Newfoundland & Labrador, Canada 1999: Smithsonian Institution Traveling Exhibitions, New York 1999: Snapshot, Contemporary Museum, Baltimore, Maryland, U.S.A. 1999: The Lavit Gallery, Tony O Malley Selection Exhibition 1999: Inscriptions on Stones, Fenderesky Gallery, Belfast 2000: Exhibition for Chernobyl, The Granary, Waterford 2000: Wood, Limerick city gallery, Limerick 2000: An Artist’s Century, Gallagher Gallery, Dublin 2000: An Artist’s Century, Ormeau Baths Gallery, Belfast 2000: Art and Christianity, West Cork Art centre, Skibbereen 2001: RHA Exhibition, RHA Gallagher Gallery, Dublin. Invited artist 2001: The Common Thread, Tígh Filí Gallery, Cork 2002: The Common Thread, Garter Lane Gallery, Waterford 2002: Acquisitions 1991-2000, Butler Gallery, Kilkenny 2002: Hermoine Arts Week, Alexandria College, Dublin 2002: Line Exploration, The Lavit Gallery, Cork 2002: Kilkenny/Tipperary, The Fenton Gallery, Cork 2002: White Paintings & 5 Sculptors, Fenderesky Gallery, Belfast 2002: The 4 Seasons of Art, Aubais, France 2002: Sculpture in Context, Botanic Gardens, Dublin. Invited artist 2002: Christmas exhibition, Lavit Gallery, Cork 2003: Postcards 2003, West Cork Art Centre 2003: CASE, Lavit Gallery, Cork 2003: Sculpture in Context, Botanic Gardens, Dublin 2003: Sligo Municipal Art Collection, RHA Gallagher Gallery, Dublin 2004: Art for Amnesty, Irish Museum of Modern Art, Dublin 2004: Corpus, Limerick City Gallery 2004: Kilkenny Arts Festival, Maya Homburger & Barry Guy, Griffinstown 2005: RHA 175th Annual Exhibition, Dublin. Invited Artist. 2005: Fenton Gallery Exhibition Cork 2005 2005-6: Passing Through, Glucksman Gallery, University College Cork 2006: Limerick City Gallery 2007: RHA 177 exhibition 2007: Case, Lavit Gallery, Cork |
Awards and Scholarships | |
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1982: Major Award; International Exhibition of Ceramic Art 1985: Major Arts Council Award 1986: Major Arts Council Award 1988: Bursary: Sculpture Open'88 Exhibition 1991: 3 Arts Council Travel Awards (Egypt, Italy, Germany) 1991: Ambassadors Prize (Short listed) 1991: Department of Foreign Affairs Award 1993: Canada Council Award |
1993: UNESCO Prize for the Promotion of the Arts (Short listed) 1993: Department of Foreign Affairs Award 1994: Arts Council Travel Award (America) 1995: New Horizons Award, Calouste Gulbenkian Foundation 1997: Arts Council Travel Award (India and Nepal) 1998: Arts Council Travel Award (America) 2004: Arts Council Travel award (India) |
Commissions | |
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1991: Dermot Deamond, NCB Stockbrokers 1991: Self Portrait, National Self Portrait Collection 1992: Ambassadors accredited to Ireland 1992: Swiss Ambassador to Ireland 1995: Cothú Awards 1995: National University of Ireland, Presentation to the President of Ireland Mary Robinson |
1999: Stirring the Depths, Kilkenny Castle, OPW Commission 2000: Six Sycamores, The Link Building, OPW, 51 & 52 St. Stephen’s Green Collaboration with the Poet Paula Meehan. 2002: Stirring the Depths; Three Arrow-Loop Spoons, Kilkenny Castle 2002: Dun Laoghaire-Rathdowm County Council 2007: Tools to Separate Heaven and Earth, Wilton Library, Cork |
Collections | |
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Arts Council of Ireland Irish Museum of Modern Art Crawford Municipal Art Gallery Limerick City Gallery of Art Butler Gallery, Kilkenny National Self Portrait Crafts Council of Ireland Scoil Mhic Shuibhne, Cork Office of Public Works Solomon Gallery, London |
Ulster Museum, Belfast University College Cork Sligo Municipal Art Collection Arás an Uachtarán Allied Irish Banks Kilkenny Castle Cork County Council Private Collections in Ireland, USA, Canada, England, Switzerland, France, Germany, Japan, Australia |
Selected Publications | |
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Contemporary Irish Art (1982) Roderick Knowles Cork Art Now (1983) Vera Ryan Irish Arts Review Yearbook (1988) Sean McCrum Sculpture, Marie Foley (1989) Aidan Dunne - catalogue essay, Project Art Centre Irish Arts Review Yearbook (1991) Brian P. Kennedy In a State (1991) Fintan ÓToole - catalogue essay for exh. in Kilmainham Gaol on National Identity Inheritance and Transformation ( 1991) John Hutchinson - catalogue essay for the inaugural exhibition at the Irish Museum of Modern Art Marie Foley (1993) Brian Kennedy - catalogue essay: exhibition The Irish Museum of Modern Art Relocating History (1993) Fiona Barbeb - catalogue essay A Kaleidoscopic Pilgrimage (1994) Bernard Louglin |
National collection drawing (1996) Limerick city gallery Marie Foley (1997) - poems: Kerry Hardie & Paul Durcan. Music: Barry Guy Wood, creative exchange between Ireland & Canada (1999) Sean McCrum & Charlotte Jones Kingdom of Heaven (1999) Paul O Rielly Art and Christianity (2000) Vera Ryan AIB art 2 (2002) Frances Ruane Six Sycamores (2004) Paula Meehan poems Marie Foley sculpture & drawings Art for Amnesty (2004) Ciaran Benson Limerick City Gallery of Art (2004) by the Poet Ryan An educational guide to collection Fresh (2006) Pippa Little, Limerick City Gallery |
Residences | |
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1987: National Welsh Museum, Cardiff 1988-1989: Butler Gallery, Kilkenny, Ireland 1991: Irish Museum of Modern Art, Dublin 1993: Ottawa School of Art, Kaleidoscope Residencies: Annaghmakerrig, Ireland; Farrera, Spain ;Les Arques |
1997: Sanskriti Kendra New Delhi, India 1998: Kokar, Aland, Finland |
Visiting Lectureships | |
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National College of Art and Design Crawford College of Art and Design Limerick College of Art Irish Museum of Modern Art National Gallery of Ireland |
Ottawa School of Art Drawing tutor, Grennan College Thomastown Galway/Mayo institute of technology University of Dublin Trinity College University College Dublin |
Carrickmourne, Thomastown, Co. Kilkenny. Tel: 056-7724905. Email: iubhar@eircom.net